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Linda Nochlin on Feminism Then and Now

The following is a companion Q&A to Maura Reilly’s examination of the status of Women in the Art World, “Taking the Measure of Sexism: Facts, Figures, and Fixes.” Our coverage begins with our...

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Taking the Measure of Sexism: Facts, Figures, and Fixes

Despite encouraging signs of women’s improved status and visibility in the art world, there are still major systemic problems. Do not misunderstand me: women artists are in a far better position today...

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Women in the Art World: An Introduction

In the 45 years since Linda Nochlin provocatively asked in ARTnews, “Why Have There Been No Great Women Artists?” we have regularly revisited the question, wondering whether, as Nochlin argued,...

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From 1971: Why Have There Been No Great Women Artists?

Implications of the Women's Lib movement for art history and for the contemporary art scene—or, silly questions deserve long answers; followed by eight replies Read More The post From 1971: Why Have...

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Image may be NSFW.
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Linda Nochlin on Feminism Then and Now

The following is a companion Q&A to Maura Reilly’s examination of the status of Women in the Art World, “Taking the Measure of Sexism: Facts, Figures, and Fixes.” Our coverage begins with our...

View Article


Image may be NSFW.
Clik here to view.

Taking the Measure of Sexism: Facts, Figures, and Fixes

Despite encouraging signs of women’s improved status and visibility in the art world, there are still major systemic problems. Do not misunderstand me: women artists are in a far better position today...

View Article

Image may be NSFW.
Clik here to view.

Women in the Art World: An Introduction

Cara Despain’s 2014 poster for Micol Hebron’s Gallery Tally project representing the overall percentage of women artists represented in New York and L.A. galleries. COURTESY CARA DESPAIN FOR MICOL...

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Image may be NSFW.
Clik here to view.

From 1971: Why Have There Been No Great Women Artists?

A banner for Women’s Lib could be Artemisia Gentileschi’s Judith Beheading Holofernes, one of this Roman painter’s favorite subject. This version dates ca. 1614–20, shortly after the scandal of her...

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